The Still Life & Floral in Oil with Robert Johnson – July 13-15, 2018

The Still Life & Floral in Oil with Robert Johnson – July 13-15, 2018

The Still Life & Floral in Oil with Robert Johnson
A Three-Day Workshop • July 13-15, 2018
$470M/$500NM

A rare opportunity to take a workshop with Robert Johnson in New York! 

What makes a painting compelling and memorable? What imparts enduring beauty to a painting? What are the time tested principles underlying the creation of a successful painting? The answers to these persistent questions will be explored in depth in this still life and floral workshop. These enduring fundamental principles taught will be equally applicable to other genres of painting. 
The workshop will include a demonstration which will illustrate and discuss the principles underlying a successful still life arrangement, the design of the painting in the beginning stage, and effectively and artistically carrying the painting forward to its conclusion.  The importance of effective and descriptive brush strokes and creating and preserving fresh and compelling paint quality will be emphasized. As the demonstration progresses students will be able to observe the importance of the observation and depiction of relative values and edges and the importance of the preservation of the initial design while working.
Students will receive individual critiques and assistance as their  paintings progress.
Some of the topics covered in the workshop, among others,  will be:
-How one can identify, select and use effective color.
-The importance of having a compelling underlying design and preserving it throughout the painting.
-The critical necessity of understanding and using values for artistic purposes.
-The understanding of the importance of edges in the visual world of painting and how to use them effectively.
-The importance of the creation of the illusion of depth and solid form and how to do it with paint.
-How to use selective detail to create the illusion finished masses in the eyes of the viewer.
-How to recognize, create and preserve the beauty of fresh oil paint on the canvas.
While this will be a painting and not a drawing workshop the instructor will discuss the importance of effective drawing and a solid foundation for a compelling painting.  The instructor will make recommendations for books and materials to move the student’s drawing skills forward, and will also use some of his own finished drawings to illustrate the concepts discussed.
All levels welcome.


Bio: Robert Johnson was born in Hopewell, VA, into a family that included a mother who loved to paint and his older brother Ben, who became a worldwide respected art conservator and connoisseur as well as an accomplished painter. Robert remembers that as a child he watched his brother painting for hours – “seeing the magic of three dimensional form, recognizable objects, and the illusion of space emerging from a flat canvas fascinated me then and has never ceased to excite and amaze me-even today.”

A love of athletics took him to Duke University on a football scholarship, and later an interest in law led him to Duke Law School. After graduation his life took an unusual turn as he went to live in Europe where he spent two years in a small German village traveling extensively, seeing the best art in Europe and drawing and painting on his own. His brother was a knowledgeable and caring mentor. When Robert asked him what he should do to become a real artist, Ben advised him to “learn to draw and compare your work only to that of the masters.” Robert feels that “drawing is the foundation of all we are trying to accomplish as artists. When our drawing skills improve, the quality of our paintings mysteriously take jumps forward.” 

Upon his return to the US he began his serious studies at the Art Student’s League of New York painting with David Leffel; drawing with Robert Beverly Hale and Michael Burban; and learning sculpture with Barney Hodes. He later had the privilege of painting and studying in the studio of Hungarian-American master Lajos Markos.

Since becoming a full time [painter in 1987 Robert has won first place national juried awards in The Artists Magazine and Salmagundi Club (NY) and numerous other awards – including five awards from the Oil Painters of America, and the American Art Collector Magazine’s  Award of Excellence. He has had twenty one-man shows in private galleries throughout the US. He is the author of On Becoming a Painter (Sunflower Press, 2001) in which he explores his experiences in becoming an artist and his thoughts on the fundamentals of the painting process.

His work has also been featured in the Best of Flower Painting II (North Light Books) and The Simple Secret to Better Painting (North Light Books, 2003). He is featured in Learning from The Masters by Cindy Salaski (North Light Books, 2014). His work has been featured in numerous magazines including American Art Collector, The Artist Magazine, Southwest Art, American Artist, and Art of the West. 

He is represented by Trailside Gallery (Scottsdale, AZ, and Jackson Hole, WY), Sage Creek Gallery (Santa Fe, NM), Whistle Pik Gallery (Fredericksburg, Texas), and Brazier Gallery (Richmond, VA) and Anderson Gallery (Saint Simons Islands, GA). 

He teaches painting workshops throughout the US and Canada and has produced seven instructional videos. 

For more information on Robert, visit his website robertjohnsonart.com.


Watercolor with Eileen Neville – May 2018 – 4 Weeks

Watercolor with Eileen Neville – May 2018 – 4 Weeks

Beginner & Intermediate Watercolor Classes with Eileen Neville

BEGINNER WATERCOLOR

Ages 18-Adult, open to 8 students.
4 Week Session: Wednesdays: May 9, 16, 23, 30, 2018 • noon – 2 pm
Fee: $115 Members/$150 Non-members.
Materials list available upon registration.

Watercolor is a truly diverse medium. Explore basic techniques of washes, learn wet on wet painting, glazing and dry brush methods. We will begin to understand the properties of pigments and when to use them properly. Watercolor is always challenging, fresh and new. No experience necessary, beginners welcome.

INTERMEDIATE WATERCOLOR

Ages 18-Adult, open to 8 students.
4 Week Session: Wednesdays: May 9, 16, 23, 30, 2018 • 9:30 am – 11:30pm
Fee: $115 Members/$150 Non-members.
Materials list available upon registration.

Continue using watercolor techniques of washes, wet on wet painting and dry brush methods. We will move beyond the basics, creating a series of more complex paintings and completing interpretations of projects presented in class. Watercolor is always challenging, fresh and new. Some experience necessary.

You may download and print the form here, and mail to The Art Guild.

OR pay with your credit card below


Watercolor with Neville Early Spring 2018 – 4 Week



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SOLD OUT Painting from Life Workshop w/Max Ginsburg: May 4-6, 2018 + Demo May 3

SOLD OUT Painting from Life Workshop w/Max Ginsburg: May 4-6, 2018 + Demo May 3

Painting from Life Workshop
with Max Ginsburg
Three Day Workshop: May 4-6, 2018 9 am – 4 pm
Plus: Three-Hour Demo: Thursday May 3, 6-9 pm
FULL – WAITING LIST WILL BE TAKEN

In this workshop, students will paint from life, observing the model carefully to see and understand the form and also express the character of the individual posing.  The objective of the workshop is to develop skill to paint realistically in the tradition of the Old Masters.  Max will critique each student’s painting daily, give painting from life demonstrations, and give talks about contemporary and traditional art in relation to the paintings we are doing in this workshop.

WORKSHOP FEATURES:
* Live models daily
* Studies and long poses
* Ginsburg critiques and demonstrations daily
* Discussion of the concepts and procedures CONCEPTS EXPLORED
* Capture the unique character of the model
* Observing form and proportions carefully
* See color as form, using warm and cool colors
* Consider the illusion of depth
* See and paint the relationships of form

PLUS: 3-Hour Painting Demo and Lecture, Thursday May 3, 6-9 pm

In the first hour, Max will lecture with a slide show about his work and process. 
For the final two hours, Max will demonstrate and speak about his technique as he paints from a live model. Click here to register for Demo/Lecture ONLY.

BIO: Since 1953, Max Ginsburg has exhibited extensively in public venues and galleries, won various awards, and his paintings are a part of many museums and private collections. In the years 1980–2004, Max was a prominent illustrator for major publications. Long admired as a teacher, Max taught from 1960–1982 at H.S. Art & Design, 1984-2000 at the School of Visual Arts, 2008–present at the Art Students League and has conducted many workshops around the U.S. and abroad. In 2011 he published his book, Max Ginsburg – Retrospective.

$600M/$630NM Tuition for this workshop includes admission to Demo and Lecture on Thursday May 3 and model fee.
Make a $150 deposit and reserve your spot. You may cancel 8 weeks before the workshop for a full refund.

THIS WORKSHOP IS FULL – PLEASE CALL OR EMAIL FOR WAITNG LIST. There is still room in the demo on May 3, 2017 6-9pm. Click here to register for the DEMO ONLY.

Sold OUT: Cellphone Photography Workshop with Howard Rose – April 28

Sold OUT: Cellphone Photography Workshop with Howard Rose – April 28

Sold Out: Cellphone Photography Workshop with Howard Rose
One-Day: April 28, 2018, 10 am – 2 pm
$60

An Intensive Photography and Editing Apps Workshop

Bring your smartphone (iPhone 5, 6, 6+, 7, 7+ (or higher) or similar smartphone).
1 hour: Understanding your camera
1.5 hours: Outside photography at Elderfields or nearby
1.5 hours: Working with editing Apps
(Bring lunch or snack.)

Spend the day learning the essential elements of your iPhone. We will cover the four most important categories for creating superior photographs on your smartphone. This is a great workshop for anyone who wants to take better pictures and get to know their cellphone camera better!

  1. Understanding your camera. 15 of the most important tips for getting ready to use your camera: settings, using the three shutters, assuring clear focus, adjusting the exposure, organizing your photos into albums, HDR shooting, Auto-focus lock, back-lit situations and more.
  2. Deciding what to photograph. How to capture what you feel about the image you want to photograph. Is it exciting, mysterious, painterly, or inspirational – create a work of art! Convert it to black & white or vibrant color.
  3. Creating the best design in your camera. Looking for the focus, identifying the direction of light, finding the best angle and horizontal position. Best time of day to shoot. How to look for a variety of shapes and color, and many more ways of getting outside the box and wind up with professional looking photos.
  4. Photography and Editing Apps. We will review many of the most exciting photography editing apps that you will use to turn your photos into a continuing, memorable, body of work. You will never settle for a mediocre photographs again. Adjust the shadows, the mood, the exposure and finally understand how to replicate all of the adjustments that you might have once created in a darkroom. These apps are not just filters. Howard will show you more than 10 of the most sophisticated editing apps that are easy to use, understand and implement for all of your future photography.

You can register with your credit card via Paypal (below) and mail with your check to The Art Guild.

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SOLD OUT! Colored Pencil with Kristy Kutch, April 20-22, 2018

SOLD OUT! Colored Pencil with Kristy Kutch, April 20-22, 2018

Colored Pencil with Kristy Kutch, April 20-22, 2018
9am – 4pm
Workshop Full!

$350 Members • $380 Non-members

We are very excited that colored pencil artist Kristy Kutch will be visiting us in April of 2018!  She is the author of Drawing and Painting with Colored Pencil and The New Colored Pencil and her DVDs Colored Pencil Landscapes: Beyond the Basics, Colored Pencil Techniques: Easy Landscape Painting, How to Paint Flowers, and How to Paint Fruit are available at North Light Shop. Kristy has taught colored pencil workshops nationwide providing an informative, enjoyable, and supportive classroom atmosphere.

In this workshop, Kristy will teach fascinating “painterly” techniques for both “traditional” (waxy) and watercolor pencils, as well as watercolor wax pastels (artist-grade watercolor crayons). Explore a wide range of surfaces which lend themselves beautifully to this dynamic medium. Demonstrations, individual attention, materials to sample, and a cache of take-home supplies. You will be able to explore a wide variety of surfaces generously provided by Stonehenge, Strathmore, Ampersand and Armadillo Art companies and MANY samples of papers, pencils and more will be distributed.  We’ll even provide a tote bag for all your goodies. (You will need it! We’re not exaggerating!)

Day One is devoted to basic waxy colored pencil on white surfaces such as Bristol board, Stonehenge paper, 4-ply museum board, etc. (samples provided).
Day Two involves colored pencil on toned surfaces, such as Art Spectrum Colourfix paper and Ampersand Pastelbord (samples provided). Techniques for heat-blending with a heat gun and brush-blending with a stencil brush or pastel blending brush will also be covered.
Day Three includes watersoluble techniques with watercolor pencils as well as watercolor wax pastels (samples provided for students).

Joyce Hicks HeadShotkutch-pic-2-colorKristy Kutch is a graduate of Purdue University, with both bachelor’s and master’s degrees in education, as well as a life license in teaching. She has taught colored pencil/watercolor pencil workshops nationwide, sometimes combining the two types of colored pencil for aqueous effects and intensely rich color. Having worked in colored pencil since 1986, she enjoys portraying flowers, fruit, and the Indiana Dunes and its Lake Michigan beaches. She is a Charter Member of the Colored Pencil Society of America.

Artist statement: Growing up in a creative family, I always had the freedom to experiment, make a mess, and generally putter around and entertain myself. My father was a gifted sketcher and used to draw cartoons for our family as entertainment. From the time I was very young, I remember feeling that it was “the ultimate” to have blank paper and fresh crayons – or maybe a set of Prang watercolors. 
I enjoy looking at a common scene or subject and probing more deeply to see it at an uncommon angle or from an arresting point of view. Dramatic contrasts of values also appeal to me, and I can get lost in the joy of carefully applying my colors and seeing something literally burst forth from the paper in startling three-dimensionality.
Teaching workshops throughout the country has added a new dimension to my art. The elementary school educator in me still enjoys seeing the enthusiasm when demonstrating or sharing a drawing concept. I learn from and with my students, delightful groups of people from all walks of life. Patience is well-rewarded with the satisfaction – and yes, fun – of beholding that developing art, both for them, and for me.

For more about Kristy, go to her website.

See pictures from the weekend on our Facebook page.

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Constructive Figure Drawing w/Greg Follender

Constructive Figure Drawing w/Greg Follender

Constructive Figure Drawing with Greg Follender
Feb 27, March 5, 12, April 2, April 23, April 30, May 7, 14 • 4-7 pm
$440M/$475NM

Learning to draw without the trepidation of constant internal criticism can be both incredibly liberating and beneficial to the working artist.

In this class, students will learn how to trust their own instincts and quiet the internal critic that often hampers successful gesture drawing. Short, timed sketching sessions will allow participants to quickly turn the figure in deep space and represent the nude form in more dramatic and challenging poses, while longer drawings will encourage the expression of volume and weight in the subject.

These exercises are designed to establish easy-to-follow anatomical formulas and increased recognition of important body landmarks. The sketch sessions will build confidence exponentially until students find that they can document the nude figure in dramatically less time than before, enabling them to concentrate more on the fluid expression of their marks on paper instead of the simple reportage of their subject.

 

ABOUT GREG FOLLENDER:
Greg Follender is a New York based artist/Illustrator who has been teaching drawing and sculpting classes at the American Museum of Natural History for almost two decades.  His passionate pursuit of rendering the human form has taken him from the dynamic world of comic books and graphic novels, to character design and costume fabrication in the industry of film and television.
 
When he isn’t working on his oil paintings or comic pages, Greg teaches figure drawing and anatomy workshops at The Art Students League of New York City.
For more about Greg, visit his website: www.gregfollender.com