Gen Z Open to Port Washington Students

Gen Z Open to Port Washington Students

Theme:
A path forward for Port Washington that inspires a worthier tomorrow for everyone by
tapping into the pride of diversity and togetherness of our community.

Eligibility
Submissions must be made by a Schreiber High School Student, Graduating class 2020, 2021, 2022, 2023, 2024
Solo submission or Group submission accepted. Work together!

Judges
Representatives from: Residents Forward, The Art Guild and Musso Properties
Submissions to be evaluated based on the designs’ ability to communicate the theme.

Prize monies
$500 to winning artist, $200 to first runner up artist, $100 to second runner-up artist.

Mural Wall Dimension
4.5’ high x 43’ wide
Option to include an extra 11’ in height =15.5’ high x 43’ wide
The horizontal brick panel that spans the width of the wall could be painted over.

Submission Dimensions
Please use these dimensions for your artwork:
4.5” x 43” wide or if using the extra panel: 15.5” x 43”
If using the extra height, please consider windows as part of designn

Submission Mediums Accepted:
Everything! Watercolor, Acrylic, Pencil, Procreate, Photoshop, Markers, Crayons . . . You name it!

Submission Deadline
September 30, 2020

Mural wall painting
The winning concept will be painted on the wall by professional independent mural contractor.

Submissions will not be returned.

For more information or to enter, click here.

 

Natural Elements with Howard Rose

Natural Elements with Howard Rose

Howard Rose, art guild, artguildpw

NATURAL ELEMENTS WITH HOWARD ROSE

Fall II: MONDAYS 9:30am – 12pm

October 19, 26, Nov 2 & 9 (4 weeks):
$250 Members/$285 Non-members

**Flex Class: Weather permitting class will be held outdoors. 

As one of the best plein air teachers, Howard Rose will show you how to translate what you see onto a canvas. 

Getting good at painting a scene that you would walk by a thousand times, and never pay attention to, could be the most exciting part in this journey to become a great painter.

We are the artists…We don’t accept the given image because we want to make sure our design is as good as can be. We can change the shapes, move things around, push the light for drama and add atmosphere when you might not see it in your chosen image.

Supply List

About Howard Rose

Howard Rose graduated from the School of Visual Arts, NYC, and Graduate studies at C.W. Post, and the New School in NYC. Since 1974, he was head product

Since 1974, he was head product designer for a major leatherwear company in Santa Monica. In 1980 he started his own graphics and product design company on Long Island. In 1989, Howard saw the paintings of a western painter named John Nieto. The amazing colors and large sized paintings of American Indians caught his eye and he hasn’t looked back since. Howard has studied with Artists, Alfred Chadbourn. Charles Sovek, Matt-Smith, and Ovanes Berberian. He had is first art studio in Roslyn, NY for 18 years where he taught and specialized in landscapes.The beaches of Long Island became his favorite subjects including the dunes, waves, and sky’s found in some of the most beautiful beaches in the country.He teaches oil painting classes in multiple venues on Long Island,including the Art Guild,  League of Long Island, National Art League and runs classes at his studio in Syosset, Long Island. Howard runs many varied workshops including; Color Mixing, Iphone,photography, Design and perspective and an intensive Calligraphy and Penmanship course.His articles and instruction techniques have been published in various magazines, including “Artists”, and “American Artist” Magazine. He runs annual workshops in Tuscany, Paris, Venice,Barcelona, and many locations on the east coast. He runs plein air workshops all over the east coast.

Natural Elements with Howard Rose

Members Showcase 2020, September 13 – October 3

Members Showcase 2020, September 13 – October 3

Members Showcase 2020

Click on image to view full sized. Use navigation arrows to scroll through the online show.

Click here to view Members Showcase 2020 Online Reception on our YouTube Channel

 

* student artist

Justice. Online Juried Competition and Exhibition August 27 – September 12, 2020

Justice. Online Juried Competition and Exhibition August 27 – September 12, 2020

Justice Online Exhibit

Artwork can say what sometimes words cannot. During these difficult times, we have been inspired to look within ourselves, find ways to “speak out,” and express solidarity and compassion. Show us those emotions and what has empowered and inspired you to address social justice.

Click on image to enlarge and use arrows to scroll through gallery

Click here to view the Justice Online Reception on our YouTube Channel

 

*student artist

There’s a Trick for That! Realistic Facial Features with Rob Silverman

There’s a Trick for That! Realistic Facial Features with Rob Silverman

There’s a Trick for That! Rendering Realistic Facial Features with Robert Silverman
4 Weeks • THURSDAYS 
• 1-4pm

Fall: Sept 10, 17, 24 & October 1

$230 Members / $265 Non Members

*** Outdoor Classes are under a tent so that social distancing can be practiced. Face mask guidelines must be followed and tables will be cleaned between classes. Guidelines will be provided to all students upon registration.

THERE’S A TRICK FOR THAT The Keys to Rendering Realistic Facial Features: Eyes, Nose, Mouth and Ears 

If you want to draw or paint expressive Portraits, it is not enough to try to copy what you see, trying to mimic every contour as you become frustrated with the model moving ever so slightly. If you know what to look for, you will render realistic form with confidence! 

Working from a live model, this Workshop will provide you with the knowledge and experience that reveals the patterns to every key Feature on the head. Through demonstrations, handouts, exercises and personalized crItiques, you will be provided with the strategy and insight to identify and replicate the unique characteristics of the sitter’s Head and Individual Features. 

The 4 session Workshop includes demos, handouts and personalized critique including: 

  • The effect of light on the form and choosing an optimal lighting set-up to reveal the key features. 
  • The overall structure of the head with keys to placement of each feature 
  • Compositional guidelines to optimally position the head on the canvas. 
  • Information regarding application of any medium to produce a convincing final rendering and likeness

REGISTER:

Trick for That – Rob Silverman

Materials List
MATERIALS

OIL
For experienced painters, bring the colors you are comfortable with. Please use Turpanoid as a substitute for turpentine. Beginners may want to try water soluble oils (Lukas Berlin from Jerrys Artarama is an inexpensive option). Light to medium toned (similar to the color of sand paper or a midtone grey) stretched canvas or panel, 11×14, 12×16, or 14×18 preferred. A hand-held mirror is recommended, as well as a View Catcher or equivalent.

BRUSHES
A selection of brushes each from 2 (2 brushes), 4 (3 brushes), 6 (1), 8 (1) sizes—Princeton Aspen are a good choice. Please have mostly filberts and a few small rounds.

Paper Towels
Palette; or 12×16 Richeson gray palette pad
Palette knife

COLORS (limited palette† is ok)
Cerulean Blue†
Cobalt Blue
Ultramarine Blue†
Chromium Oxide Green†
Viridian†
Alizaron Crimson†
Burnt Sienna†
Raw Umber†
Flesh
Yellow Ochre†
Naples Yellow
Cad Red†
Cad Orange
Cad Yellow†
Titanium White†
Ivory Black†

CHARCOAL OR PASTEL (as option to oil)
Canson Mi-Teinte 3 or 4 total sheets (for padding) of middle grey color such as light blue, light grey or wave green or 12×16 Canson pad of various colors of greys (use smoother side of paper)
–sharpener, and/or single-edge razor blades; emory board (works better than sandpaper blocks)
–paper stumps, and paper towels–kneaded erasers–chamois (chammy) cloth
Pastel: Bring our own set of pastels or buy nupastel prismacolor or faber-castelle hard pastel set of 36 (I will also have pastels you can experiment with on hand).
Charcoal: White charcoal pencil and hb, 2b, 4b, 6 (Generals brand charcoal pencils preferred).

Rob Silverman's Bio

Rob Silverman’s innovative techniques have been featured in American Artist Workshop Magazine and The Art of the Portrait, the official publication of the Portrait Society of America. His work has appeared at Crosby Street Gallery and Spring Studio Gallery in Soho, the Art League of Long Island, Edward Hopper House, The Art Guild of Port Washington, The National Art League, the Lockwood-Mathews Museum, as well as the National Arts Club and Salmagundi Club.