Expressive Pastels: Loosen Up! with Karen Margulis, October 26-28, 2018

Expressive Pastels: Loosen Up! with Karen Margulis, October 26-28, 2018

Expressive Pastels: Loosen Up and
Add Some Spice to Your Paintings

October 26-28, 2018

Three day studio pastel workshop with Karen Margulis PSA IAPS- MC

It has been said that as artists we are either moving toward or away from abstraction. No matter where we fall on this journey we can all benefit from ideas to help us create more expressive paintings. Karen is always striving to interpret her subject by including her personal touch rather than a copying the reference or painting exactly what she sees. 
On day one of the workshop she will share some of the ways she has discovered that helps her paint in a more expressive ‘loose’ manner. She will introduce a simple method for a successful pastel painting from the planning stage to the addition of those final important spices!
On the second day we will explore the use of underpaintings and how they contribute to more expressive pastel paintings. She will demonstrate two different underpainting techniques. Students will use an underpainting to develop their paintings.
On the third day we will continue to explore techniques that will lead to more expressive paintings with an exploration of new and exciting ways to start a pastel painting.
There will be demos, handouts and plenty of individual help at the easel during the workshop.

 

Biography
Karen Margulis was born in Connecticut and was raised in South Florida. Shecurrently lives in Marietta, Georgia. Karen received her BA in Education from the University of Florida. Karen’s primary medium is pastel, although she enjoys all mediums. She is a Master Circle recipient of the International Association of Pastel Societies and a Signature Member of the Pastel Society of America. She is also a Member of Excellence in the Southeastern Pastel Society. Her landscape and wildflower paintings have received recognition in many International exhibitions including PSA and IAPS where her Queen Anne’s Lace painting won the 2011 poster competition. Karen’s work has been featured in the June 2014 issue of Pastel Journal. Her painting, Summer Reprise, was chosen for the cover image.

Karen is a Daily Painter, blogger – Painting My World, and has a very popular YouTube channel. She teaches workshops and classes throughout the country and online. 


Pastel Workshop with Karen Margulis
Phone Number



Landscape Painting in Oil with Leeanna Chipana – Jan-Feb 2018

Landscape Painting in Oil with Leeanna Chipana – Jan-Feb 2018

Landscape Painting in Oil with Leeanna Chipana
SIX weeks, Tuesdays, Jan. 16, 23, 30, Feb. 6, 13, 27
9:30 am – 12:30 pm
$240m/$270nm

Students will gain a strong understanding of the fundamentals of landscape painting while they advance to more challenging projects. During class we will discuss the genre of landscape and plein air painting. Students will learn about compositional methods and techniques used throughout the centuries such as the concept of perspective, areal perspective, the language of dominant verticals and horizontal lines, how to harmonize color, underpainting methods such as open and closed grisailles. Color theory will be discussed. Students will learn how to organize and structure their landscapes. The goal is for students to have a broader understanding of landscape painting methods as well as increase their skill and accuracy at creating beautiful landscape painting. 


Landscape in Oil w/Chipana Jan-Feb 2018
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Leeanna Chipana began her art studies at the Stevenson Academy of Fine Arts in Oyster Bay, NY in 2004 where she studied under painter and illustrator Attila Hejja. While working as his personal assistant Leeanna studied figure painting with Mr. Hejja. After Mr. Hejja’s sudden death in the Summer of 2007, Leeanna decided to devote her life to pursuing her own art studies more rigorously and dedicate herself to teaching traditional painting and drawing. She started by attending the New York Art Students League where she studied figure painting for two years with artist Nelson Shanks. She went on to continue her studies under full scholarship with Robert Armetta of the Long Island Academy of Fine Art at the Atelier Armetta program located in Glen Cove, NY. She attended the Water Street Atelier where she was enrolled in a full-time program dedicated to classical drawing and painting under artist Jacob Collins. Her work ranges from landscapes to still-life and portraits from life.

Leeanna continued her training at the Grand Central Atelier in New York in their full-time core program – the Water Street Atelier with Jacob Collins. She was a recipient of the John F. and Anna Lee Stacey Grant, a Hudson River Fellow and was awarded a scholarship to attend the New York Academy of Art. She teaches on Long Island’s North Shore.

Colored Pencil with Kristy Kutch, April 20-22, 2018 – Make a Deposit!

Colored Pencil with Kristy Kutch, April 20-22, 2018 – Make a Deposit!

Save The Date!
Colored Pencil with Kristy Kutch, April 20-22, 2018

$350 Members • $380 Non-members

We are very excited that colored pencil artist Kristy Kutch will be visiting us in April of 2018!  She is the author of Drawing and Painting with Colored Pencil and The New Colored Pencil and her DVDs Colored Pencil Landscapes: Beyond the Basics, Colored Pencil Techniques: Easy Landscape Painting, How to Paint Flowers, and How to Paint Fruit are available at North Light Shop. Kristy has taught colored pencil workshops nationwide providing an informative, enjoyable, and supportive classroom atmosphere.

In this workshop, Kristy will teach fascinating “painterly” techniques for both “traditional” (waxy) and watercolor pencils, as well as watercolor wax pastels (artist-grade watercolor crayons). Explore a wide range of surfaces which lend themselves beautifully to this dynamic medium. Demonstrations, individual attention, materials to sample, and a cache of take-home supplies. You will be able to explore a wide variety of surfaces generously provided by Stonehenge, Strathmore, Ampersand and Armadillo Art companies and MANY samples of papers, pencils and more will be distributed.  We’ll even provide a tote bag for all your goodies. (You will need it! We’re not exaggerating!)

Day One is devoted to basic waxy colored pencil on white surfaces such as Bristol board, Stonehenge paper, 4-ply museum board, etc. (samples provided).
Day Two involves colored pencil on toned surfaces, such as Art Spectrum Colourfix paper and Ampersand Pastelbord (samples provided). Techniques for heat-blending with a heat gun and brush-blending with a stencil brush or pastel blending brush will also be covered.
Day Three includes watersoluble techniques with watercolor pencils as well as watercolor wax pastels (samples provided for students).

Joyce Hicks HeadShotkutch-pic-2-colorKristy Kutch is a graduate of Purdue University, with both bachelor’s and master’s degrees in education, as well as a life license in teaching. She has taught colored pencil/watercolor pencil workshops nationwide, sometimes combining the two types of colored pencil for aqueous effects and intensely rich color. Having worked in colored pencil since 1986, she enjoys portraying flowers, fruit, and the Indiana Dunes and its Lake Michigan beaches. She is a Charter Member of the Colored Pencil Society of America.

Artist statement: Growing up in a creative family, I always had the freedom to experiment, make a mess, and generally putter around and entertain myself. My father was a gifted sketcher and used to draw cartoons for our family as entertainment. From the time I was very young, I remember feeling that it was “the ultimate” to have blank paper and fresh crayons – or maybe a set of Prang watercolors. 
I enjoy looking at a common scene or subject and probing more deeply to see it at an uncommon angle or from an arresting point of view. Dramatic contrasts of values also appeal to me, and I can get lost in the joy of carefully applying my colors and seeing something literally burst forth from the paper in startling three-dimensionality.
Teaching workshops throughout the country has added a new dimension to my art. The elementary school educator in me still enjoys seeing the enthusiasm when demonstrating or sharing a drawing concept. I learn from and with my students, delightful groups of people from all walks of life. Patience is well-rewarded with the satisfaction – and yes, fun – of beholding that developing art, both for them, and for me.

For more about Kristy, go to her website.

Make a deposit or pay in full with your credit card via PayPal below. You may also download the form here and mail with your check. All deposits will be refunded if the workshop does not run. You may cancel 8 weeks before the workshop for a full refund.


Colored Pencil with Kristy Kutch
Phone Number



High School Students’ Studio & Portfolio Development Studio Winter 2018

High School Students’ Studio & Portfolio Development Studio Winter 2018

High School Students’ Portfolio Development Studio
For Students Grades 9 – 12

HS_Montage

12 Weeks • Thursdays • 4-6 pm
12 Weeks: January 18, 25, February 1, 8, 15, March 1, 8, 15, 22, 29, April 12 & 19, 2018
(No classes Feb. 22 or Apr. 5)
$300M/$330NM per student
(Student membership $30)

This 12-week course is designed to assist the advanced drawing/painting/2-D design student entering their freshman through senior year.  Instructor will mentor and critique pre-assigned projects (Advanced Placement portfolio, college admissions, scholarships, and student exhibitions) or can assign projects. There will be open studio time for students to work with the aid of the instructor to learn or enhance a specific skill or technique.

Classes will cover techniques and proper usage of various mediums including colored pencils, pastels, oils and acrylics, color theory and composition. Practical knowledge such as how to frame, mat and photograph work will be covered as well as how to name and format digital files. Guest speakers will stop by to demonstrate various techniques and skills. At least two opportunities will be given to draw/paint from a live model.

Students will be asked to keep a sketchbook or journal, and create written artist statements that explore and defend their process and work.

Students should bring a sketchbook, a pad of 18” x 24” drawing paper (not newsprint), 2B, 4B, 6B, 8B pencils and a kneaded eraser, and 4 – 6 samples of their work to the first class.

Please fill out the form below and pay via Paypal or download the form and pay with a check.

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Simple and Sophisticated Relief Printmaking w/Stephanie Navon-Jacobson

Simple and Sophisticated Relief Printmaking w/Stephanie Navon-Jacobson

Simple and Sophisticated Relief Printmaking

March 10-11, 10 am – 3 pm
A Two-Day Workshop

$150 Members/$180 Non-Members

Please register by March 2, to ensure that workshop will run.

Relief printmaking is any technique where parts of the design are cut away (the negative), and the remaining part (the positive), is printed. Ink is applied by using an brayer or roller on the surface and printed by hand. We will work with a 4” x 6” size so that it can also be used for cards. Through demonstrations, we will explore one color, multiple colors and reduction as time permits. This workshop will use eco-friendly, water-based inks on linoleum, Soft-Kut, Mastercut or similar.

This seemingly naïve and childish medium can be very sophisticated. Picasso, Matisse, and many other famous artists experimented with relief techniques. Let your creative juices flow in a supportive, encouraging atmosphere.

Materials list provided at registration.

To register, you may pay securely with your credit card via PayPal or download the form and mail with your check.

About Stephanie Navon-Jacobson: As an artist, I am always observing the world around me. Whether floral, landscape, animal, or figure, abstract or realistic, my images always go back to nature. I am first and foremost a printmaker, although I work in other mediums, too. I am a printmaker who paints, rather than a painter who prints.

I was originally attracted to printmaking in college. I loved the studio community aspect as well as the various techniques. I like to experiment with various techniques. The possibilities seem endless. I also like the element of surprise each time you pull a print.

It is so satisfying to work with people who are new to printmaking or to teach experienced artists a new technique and watch their enthusiasm as they ‘get bit by the printmaking bug.’ Printmaking is such a versatile medium. It can stand alone or be incorporated with other mediums such as oil or watercolor. I encourage my students to add printmaking to their artistic arsenal and incorporate it with their other artistic endeavors.


Relief Printmaking – March 2018



Silkscreen Monotype with Water-Based Media – Stephanie Navon-Jacobson

Silkscreen Monotype with Water-Based Media – Stephanie Navon-Jacobson

The Silkscreen Monotype with Water-Based Media
May 19-20, 10 am – 3 pm

A Two Day Workshop

$150 Members/$180 Non-Members

Please register by May 11, to ensure that workshop will run.

Come discover this unique process that combines screen printing with drawing and painting techniques using water-based materials.  Non-toxic, versatile and simple to master. Draw or paint directly on the silkscreen to create unique prints and explore the layering possibilities for overprinting on drawings, prints and other media. 

Students will work from their own images using materials such as pastels, watercolor, gouache, watercolor pencils, watercolor crayons, graphite and other materials. Students will need to purchase a reusable silkscreen and a squeegee. No prior experience or skill necessary.

Materials list provided at registration.

Irises_Navon-Jacobson

Irises, silkscreen monoprint, Stephanie Navon-Jacobson

To register, you may pay securely with your credit card via PayPal or download this form and mail with your check.

About Stephanie Navon-Jacobson: 

As an artist, I am always observing the world around me. Whether floral, landscape, animal, or figure, abstract or realistic, my images always go back to nature. I am first and foremost a printmaker, although I work in other mediums, too. I am a printmaker who paints, rather than a painter who prints.

I was originally attracted to printmaking in college. I loved the studio community aspect as well as the various techniques. I like to experiment with various techniques. The possibilities seem endless. I also like the element of surprise each time you pull a print.

It is so satisfying to work with people who are new to printmaking or to teach experienced artists a new technique and watch their enthusiasm as they ‘get bit by the printmaking bug.’ Printmaking is such a versatile medium. It can stand alone or be incorporated with other mediums such as oil or watercolor. I encourage my students to add printmaking to their artistic arsenal and incorporate it with their other artistic endeavors.


Silkscreen Monotype May 2018